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For a location near St Mary Redcliffe Church in Bristol, UK, architecture firm Groupwork has designed a bronze mesh-covered residential complex that draws inspiration from structures destroyed in World War Two bombs.
The 120-apartment Redcliffe Way construction will be encased in a bronze mesh that mimics the size and shapes of earlier structures from the 18th century that had stood on the location. The construction of a parking lot was intended to be both modern development and a monument to the history of the location, which was bombed during World War II. The desire to rebuild the bombed urban block that had once stood in front of St. Mary's in the studio sparked thoughts about nostalgia, memory, altered narratives, and creating monuments, which led us to think about meshes or cast materials that can represent the fleeting, miscast, or misremembered historical narratives. Rebuilding the streets and their forms in areas that had been bombed during World War II would create urban cohesiveness and give the locals a chance to create their own narrative. We are building neoclassical facades in the 18th-century style, but in response to the desires of the contemporary community, with transient and fluctuating illusions of empire and power. This is historical memory without sentimentality. The complex will consist of four independent buildings connected by roof gardens and balconies, with a bronze mesh surrounding all the structures to give the impression that it is one large building. The D-shaped urban block will be built around an interior While street-facing enclosures enhance the current shop streets, the ground level is mostly designated for soft and hard landscaping utilized by residents and guests. The four buildings will be partially encircled by a perforated bronze skin, giving the occupants inside some privacy and partially shielding the interiors from the sun to lessen warming and energy consumption. The sheet alone lowers the potential uplift of the total embedded carbon from 30% solid to 70% void. Applying these

Two L-shaped buildings with angular, cliff-like facades make up the Oasis Towers complex in Nanjing, China, which was unveiled by the Dutch architecture firm MVRDV.
The Oasis Towers mixed-use residential and commercial development, which will have two 150-meter buildings, will be constructed on a site near the Jiangbei New Area Financial District in Nanjing.

The project will encompass two L-shaped, 40-story towers that surround an "oasis" in the center of the site and occupy two adjacent blocks of the Jiangbei New Area concept, which is intended to become a new financial hub and center for Nanjing. The co-founder of MVRDV claimed that Nanjing's modern architecture was influenced by nature in both shape and appearance. With Oasis Towers, they aimed to take that fad to its logical conclusion by not only mimicking nature with its curved, tiered "cliffs" but also literally incorporating it into the architecture through the use of vegetation and natural processes. According to the studio, each tower will be constructed on the opposite corners of the blocks to take advantage of the strong western breezes that will provide the site with the most ventilation. The exterior, perimeter-facing skins of the towers will be decorated with a formal, gridded façade, and the inside, interior-facing facades will have rippling and cascading terraces directed toward a public shopping plaza. A three-story envelope will be formed by terraces that taper towards the site's perimeter and surround the "oasis" and park-like space at its center. These terraces will be covered with trees, shrubs, and other vegetation and will be clad in recycled bamboo.

Gabled elements and corrugated aluminum siding feature in a family home that was designed by Canadian firm StudioAC to be "impactful without being indulgent”.
The Everden house is located on a slender, rectangular lot in Toronto's Cedarvale neighborhood.

Local firm StudioAC said that the brief was to create a home that felt unique and personal to the homeowners and unapologetically contemporary while still having cues to the traditional ideas of ‘house.' Aiming to create a residence that feels both "playful and serious,” the architects designed a three-story building that reads as stacked boxes.
The home is topped with a gabled roof that alludes to the local housing stock. The peaked form was used for certain windows and interior elements, as well. The architecture studio said that while a gabled roof was one of the quintessential icons of ‘house', we were interested in elevating this phenomenon beyond motif to a spatial experience that defined a narrative throughout the project. Facades are clad in corrugated aluminum, which was selected for its durability and affordability. On the front elevation, upper windows are covered with a mesh made from aluminum panels, which were custom perforated and then sealed. Inside, the team put special focus on the spatial experience, which freed them up to be flexible with the material expression. The ground floor is split level, with the dining area and kitchen occupying the front portion of the plan and a sunken living room situated in the rear. Steps lead down from the kitchen to the living area, which provides a physical separation without the use of a wall, the architecture studio said. StudioAC said that they had wanted to create spatial delineation and the

The angular Sluishuis apartment complex was built by the Dutch company Barcode Architects and the Danish architecture firm BIG. It is situated above the IJ lake in the IJburg area of Amsterdam. The square dwelling complex surrounds an internal port with a double cantilever that serves as an entry from the lake and was built on an artificial island in the IJ Lake.
According to BIG founding partner Bjarke Ingels, Our Sluishuis is envisioned as a city block of downtown Amsterdam floating in the IJ lake, complete with all aspects of city life. The building bowed down before the city to invite visitors to climb to its roof and view the broad vista of the newest neighborhoods on the IJ. The 442 owner-occupied and rental units make up the housing development, which has been dubbed "a new monument for IJburg" by the architectural companies. The structure has a distinctive shape, with two of the square's corners having blocks that protrude outward to create a cut-out above the sea and the other two having blocks that step down to create terraces with apartments spilling out onto upper balconies. "Sluishuis is a new landmark for IJburg as well as Amsterdam," said Dirk Peters, founding partner of Barcode Architects, "with identifiable architecture, creative housing typologies, high-quality outdoor areas, and stunning views of the

After our previous episodes, we realized how many questions our designers had for us, so here we are, making a Q&A where we will answer all the most frequently asked questions.

A Texas home designed by US firm Sanders Architecture features a glass bridge that will weather over time and is covered in tan-gray brick and thermally treated ash. Austin's Pemberton Heights House is surrounded by a grove of native heritage live oak trees on the western slope of Shoal Creek.
According to Sanders Architecture, the placement of the trees and the design of their canopies dictated the shape of the building and the footprint of the house. The 5,948 square foot (553 square meters) house is made up of rectilinear sections that are arranged around outside areas, including a pool and backyard terrace. The residence has setbacks, protrusions, and varying heights that give it a dynamic aspect and are informed by the site circumstances. A walkway on the lower level and a glazed bridge above provide access to a semi-attached, two-story volume that is located close to the front of the house. The colors and textures of the natural surroundings were reflected in the facade's materials. The team also employed wood siding composed of thermally stabilized ash, which would eventually develop a grey patina, in addition to variegated brick. In order to visibly around the building on the sloped site, the exterior also has concrete and weathering steel. The team selected neutral colors and natural materials, like white oak and quartz, inside. There are separate public and private areas in the layout. The kitchen, dining area, living room, and den are all located on one side of the ground level. The office that serves as a bedroom is located on the opposite side. The team set up the main suite and a bedroom upstairs. There is more

Design studio Bobbi Beck launches the first in a series of 3 Metaverse-inspired wallpaper collections. The brief will see designers and artists interpret the aesthetics of virtual reality worlds. To coincide with the launch of the collection, each of the artworks have been released as NFTs via Rarible.
The first collection in the series, is in collaboration with print designer Diane Bresson, revealing 3 striking designs: Reflekt, Circulus and Escher. Each design is available in 2 colorways and is based on an exploration of ‘night and day'. The brighter hues are almost neon-esque with lime tones set against orange and lilac. Night moves to a more sultry look, which blends purple and deep blues. Diane Bresson’s trademark exploration of pattern and print is evident in swirls and contrasting patterns, which marry digital aesthetics with traditional shapes. Daine said: "The inspiration was the metaverse and how it relates to the real world. I wanted to create digital landscapes, questioning throughout my processes, what colors and light would look like in a world where there is no sun and no real day or night. For the night color palette, I focused on ‘Very Peri,’ the Pantone color of the year for 2022, feeling that the moody hues were perfectly placed. ‘Cyber Lime' has been cited by WGSN as a key color of 2024 – we worked this into the day

A circular structure beside a lake was created by the Mexican firm Sordo Madaleno Arquitectos using cross-laminated wood and volcanic stone. About two hours from Mexico City, the Valle San Nicolás Clubhouse is situated on the outskirts of Valle de Bravo. The structure contains a variety of areas for unwinding and socializing and is located on a 385-hectare residential complex by a lake with an 800-meter waterski run. The 1,800-square-meter clubhouse was created by Sordo Madaleno Arquitectos of Mexico City to offer views and blend in with the surroundings.
The mountains and the lake, which are two of Valle San Nicolás' most notable natural features, were investigated in order to better understand how they could merge and relate to one another through a piece of architecture, according to the architecture studio. The structure is designed to resemble an anchored boat and to float in the water. The structure is round in shape and features a water-filled cutout in the center. The pond is crossed by a brick corridor that divides the clubhouse into two wings. While the east wing houses a bar, kitchen, barbeque area, and eating area, the west wing houses a gym, jacuzzi, steam room, and "spa cabins." To walk around the structure and take in the nearly 360-degree views of the surroundings, two rings—one inner and one outer—serve as open hallways. A pier-shaped addition to the building features a swimming lane and a sunbathing space.

This circular care facility in Selfoss, Iceland, was designed by the Danish architectural firm Loop Architects to be "homey and exciting" for dementia patients. A two-story, ring-shaped building with a courtyard garden at its center has 50 private accommodations in the specialized facility in the town in southern Iceland. The idea was created for Iceland's government property agency FSRE by Aarhus firm Loop Architects and Reykjavik business Urban Arkitektar.
The team's goal was to create a new design for dementia care facilities that offer a secure and welcoming setting that is adapted to the needs of the inhabitants. With that project, Mette Nymann stated, they had created a structure that embraces its occupants while simultaneously opening onto an inner, sensory world in the lush, secure courtyard. They recognized the possibility of redesigning care facilities for people with dementia to make them more hospitable, stimulating, and long-lasting. The building's circular floorplan is intended to enable seamless mobility within it, giving tenants access to facilities like common lounge areas while ensuring they always return to their accommodations. According to Loop Architects, "everyone shares common functions located in the inner half of the circular building," making the shape democratic and creating equal chances for everybody. In order to maximize views of the surrounding landscape, including Ingólfsfjall mountain and the lfusá river, residences are arranged along the building's perimeter. The 22-square-meter homes have a typical design, with the en-suite bedrooms leading onto balconies on the first floor and patios at ground level. A concrete framework placed in place served as the foundation for the care facility. Its exterior is covered in imported Norwegian wood, creating surfaces that are cozy and sensuous.

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Did you know that with Zeel Models you can create a super cool Mood Board? Today, Lily will show you how. For this video, we chose high-tech style for a single young man.

On the Caribbean island of Bequia, the Studio of Environmental Architecture employed enormous sails to create a "land yacht" that was constructed from reused wood and features a sophisticated rain collection system. Sail House has a distinctive look thanks to a system of tightly stretched shade components constructed of the same material as modern sails.
According to a California-based company, due to the challenges of building in the Caribbean with its scarce resources, all of the home's components were constructed in Indonesia before being carried in containers to the island. The project at Bequia, an island in the Grenadine group, had a main residence, a caretaker's cottage, and guest houses dispersed across the face of the steep slope. Tensile shade structures, in accordance with the architectural studio, offer more shade than conventional, rigid roofing would, making the house better suited for an equatorial environment. In addition to creating a thermal chimney to expel heat from the top by increasing cross ventilation, the roofs produce a swooping curve that is intended to gather rainfall. The studio said that the grouping of structures was constructed with this purpose in mind. Each building rests on a concrete base that serves as an anchor for the canopies' support system, which is made of aluminum. Rainwater is gathered on the canopies, channeled through the aluminum "masts" by metal clamps, and then drained to the massive cisterns that are housed in the concrete base. The studio claims that these cisterns enable 100% of the water utilized for the home to be collected from dew and rainfall and also produce a cooling effect when cross ventilation from the sails mixes with the water in the cisterns. Local production meets the annual water requirements, demonstrating that resiliency may be both aesthetic and strategic. The main building has three levels. There is a lounge next to the curved pool on the same level as the cisterns. The living room, kitchen, dining

The Biosphere treehouse, which is surrounded by birdhouses, was designed by the Danish architectural firm BIG and is located in the Treehotel in Swedish Lapland.
The hotel room, which was developed in association with Swedish naturalist Ulf Hman, was intended to completely immerse visitors in the forest setting close to the village of Harads. Before the epidemic, Bjarke Ingels, the founder of BIG, claimed to have been in a handful of the Treehotel rooms and experienced a sense of renewal from total absorption in nature. The notion of allowing not only the human visitors but also the local bird and bat population to cohabit in a circular swarm of nests came to life almost immediately. He couldn't help but wonder if there was a way to enhance the immersion. The hotel room is enclosed in a mostly glass cube that hangs between two trees. 350 different-sized birdhouses are supported by a metal grid that surrounds the cube to make a spherical shape. There is hope for the glass to remain clear within this cloud of aviary construction after our initial chats with Ulf Ahman from the Norrbotten Ornithological Association revealed that birds do not drop where they nest. A suspension bridge leading to the 34-square-meter Biosphere treehouse at the Treehotel has a gentle upward slope. It comprises a toilet and shower facility, as well as a double-height living area with huge windows for viewing the birds and the nearby forest. A stepladder leads from the living area to a double bed that is elevated over the To encourage a variety of birds to nest, the hotel was covered in birdhouses of all sizes. According to ornithologist and Norrbotten Ornithological Association chairman human, the room is intended to improve local bird populations in addition to providing visitors with a unique experience. He claimed that surveys conducted in Norrbotten County by the County Administrative Board and us, as ornithologists, reveal that a variety of bird populations are declining. The number of natural holes in

The two-skyscraper Ombelle complex in Fort Lauderdale, Florida, will be covered in a steel grid described by the architects as an exoskeleton, according to the architects. The Ombelle project will include a large base with two tapered towers of equal height extending from it, encircled by balconies supported by an exterior steel structure.

The structure was designed by ODA for Flagler Village, a neighborhood in the city's northeast that was previously primarily industrial but is now home to various art galleries and residential blocks. There will be 1,100 residential units spaced out over a base pavilion and two 43-story towers in the housing complex. It will be one of the city's tallest structures, with the current tallest structure standing at 45 stories.
Both buildings will rise from a base that is encircled by columns at street level. The foundation will be recessed from the roadway at important spots, providing covered plazas. Commercial space will cover more than 10,000 square feet (930 square meters) on the ground floor. The two towers will taper skywards from this terrace. Tapering appears to occur from several angles. The towers are skewed from another side when an additional horizontal piece steps out from the base of the tower and tapers up to a uniform middle. The "exoskeleton" of metal beams that run outside of the glass façade adds to the structure's sculptural fluidity, giving it an almost accordion-like look. The remarkable exterior, according to ODA, is made up of a fragile exoskeleton with an outer shell of terraces and balconies that vary in depth, length, and density to give each residence a sense of individual character. The introduction of this Fort Lauderdale scheme follows ODA's announcement of the Broward Tower, We are happy to be a part of Fort Lauderdale's transition into a healthy forward-thinking city and international attraction, said Eran Chen, founder and CEO of ODA. The city was embracing change with the implementation of a well-thought-out master plan. With a bridge connecting two towers, Broward Tower will be more self-consciously sculptural. The massing rests atop one of the towers, angling down to blend in with the other. The structure's façade will be covered in terraces, with a window

Studio Dlux, headquartered in Brazil, has introduced whimsical aspects to a disused warehouse that now houses an international school in So Paulo. The Villa-Lobos Red House School is located in the upscale Vila Leopoldina neighborhood.

The private school, which caters to students from kindergarten to high school, is part of a Brazilian network of Red House International Schools. The school provides a multilingual education that emphasizes the development of socio-emotional skills and a global outlook.
Red House kids, according to Studio Dlux, learn via active research and exploration both within and outside of the classroom. The Villa-Lobos campus aspires to be a model for international and bilingual educational institutions in Brazil. The project involved the adaptive reuse of two concrete structures from 1978. The blocky, two-story structures were originally utilized as electronics warehouses. The designers used vanilla-colored plaster on the facades and added robust lattices made of "ecological wood" and plastic. A new metal sky bridge was built to connect the two blocks. A preschool, café, and indoor sports court are all housed in one of the buildings. The primary and high school areas, as well as a library, a maker space, and music rooms, are located on the other side of the building. The team included fun elements like gabled forms, circular cutouts, and swaths of brilliant color throughout the school. Vinyl flooring, foam acoustical panels, and plywood are among the interior finishes. Studio Dlux chose the wood decor from open-source files and had it

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Today, Jax will talk about the importance of Zeel Project for producers of interior design elements and what benefits we give to them.

Architecture studio in London Feilden Fowles has constructed a timber-framed dining hall with a faience-tiled volume situated above a pigmented-concrete colonnade at the University of Cambridge's Homerton College. The dining hall features the main eating space, as well as a smaller room for eating called a buttery, kitchens, and staff amenities, and was designed to reflect the adjacent arts and crafts-style Ibberson Building and the college's Victorian Gothic Revival structures.

The structure was created by the London-based studio of Fergus Feilden and Edmund Fowles to replace Cambridge's youngest college's former dining hall and dark, cramped, and obsolete kitchen facilities. The college relocated to the site in 1894 from its previous location in east London, and it now occupies many buildings built for Cavendish College in the 1870s.
Edmund Fowles, director of Feilden Fowles, said the hall's design was reflective of Homerton's modern attitude and daring objectives while still being in conversation with Cambridge's rich architectural legacy. There were echoes of King's College Chapel's marching buttresses, references to Homerton's Cavendish College buildings' Victorian Gothic Revival, and themes from the nearby arts and crafts Ibberson Building. They come together as a symbol of contemporary architectural thinking, an embodiment of low-tech principles, and 21st-century arts and crafts. The structure is intended to serve as a social hub for the college campus, with a number of courtyards and cloisters surrounding it, providing informal gathering spaces for unexpected encounters. The ground floor plinth is made of pigmented concrete, with columns spaced on a three-meter grid to give the elevations a logical and orderly appearance. The structure is partially coated with green faience tiles that reference the arts and crafts movement while also complementing the college's previous buildings, particularly the Great Hall, which are made of red brick, sandstone, lead, and oxidized copper. The 3,200 tiles were created in collaboration with architectural ceramics manufacturer Darwen Terracotta and may be found on numerous Victorian public buildings in the United Kingdom. The architecture studio went on to say that the design

The Multifunctional Concert and Congress Center stadium, which architecture group Populous is creating in Munich, Germany, will be surrounded by a colorful exoskeleton that echoes the Bavarian flag. The spherical 20,000-capacity arena, which will hold a mix of concerts and large-scale events, will be built on parkland next to Munich Airport's LabCampus innovation hub.

According to Populous, the design will have a "high recognition factor" while paying respect to Bavaria's legacy, which includes Munich. The building's distinctive rhombus-shaped exoskeleton, which reflects the lozenge-like features that make up the Bavarian state flag, will help achieve this. The design, according to Populous associate principal Sin-Jae Yoo, strives to create a distinctive destination that is compact, efficient, and visually attractive.
It would be an easily recognizable location that reflected the area's identity and culture while providing an unrivaled visitor experience. Munich will gain a new landmark with the arena. The winning submission in a multi-stage competition for the design of the Multifunctional Concert and Congress Center (MUCcc) was Populous' proposal. It is now being constructed in partnership with local developer SWMUNICH Real Estate with the goal of enhancing the region's cultural offerings and local economy. Along with a homage to Bavaria, the design will integrate renewable energy sources, which are expected to provide all of the energy needed to run the stadium. A row of trees will wrap around the roof of the structure, which is intended to be visible "even from afar." MUCcc's seating will be laid out in a horseshoe shape with a high gradient to maximize sightlines and stage views. According to the firm, the design would use "state-of-the-art technology and the knowledge of acoustic professionals." The project's start date has yet to be confirmed, but it is expected to open within the next five years, according to the MUCcc website. Populous is also

The Te Pae Convention and Exhibition Centre, designed by Australian firm Woods Bagot and New Zealand studio Warren & Mahoney, has a curved exterior tiled in herringbone tiles. The sinuous structure, which overlooks the Avon River in New Zealand, is designed to avoid the typical "big box" image of convention centers. Te Pae Convention & Exposition Centre has a 2,000-seat auditorium, exhibition space, food facilities, and meeting rooms.
Woods Bagot and Warren & Mahoney ringed the building's periphery with glazed foyers that frame outward views, pushing these functional sections to the center.
Woods Bagot said that unlike conventional convention centers, which tend to be a generic 'big box', the building was smaller in scale and wrapped in a fluid facade. Views from the function room back to Cathedral Square; the opening out onto Victoria Square; the leaning toward the river – these were very specific moves to make the building engage strongly with what's around it. The Te Pae Convention and Exhibition Centre's architecture, like much of the reconstruction following the 2011 Christchurch earthquake, pays homage to New Zealand's indigenous Ngai Tahu people. Puamiria Parata-Goodall said that the new Ōtautahi (Christchurch) reflected both its was Ngai Tahu and European histories. The center's tiled façade, irregular curved parts, and windows that cut across its form allude to the braided riverbeds of the Canterbury Plains and the shape of New Zealand's Southern Alps, both important areas in Ngai Tahu's history.

At London department store Selfridges, French fashion designer Simon Jacquemus has unveiled a series of surrealist pop-up installations, including a luxury bag vending machine and a swimming pool changing room.

The exhibit, titled Le Bleu, can be found throughout the store, including the brand's creative retail section The Corner Shop and the Old Selfridges Hotel, a former hotel that is currently being used as a pop-up event. Pale blue tiles cover the interior of the Corner Shop, which serves as the installation's main retail space. A giant transparent tube of toothpaste pours red and white gel ribbons into the shop's window.
In the space, a large bathtub, sponges, shower facilities, and sinks serve as exhibition places for a range of unique Jacquemus items and pieces from the brand's Spring Summer 2022 collection. Selfridges described the pop-up spaces as a "surrealist reinterpretation of Jacquemus creator Simon Jacquemus' very private bathroom." After seeing a tablet fizzing in a glass of water, the designer was inspired to construct one of the installations, an enormous glass. A life-sized vending machine packed with exclusive editions of the brand's Chiquito and Bambino bags can be accessed for shopping 24 hours a day on Edwards Mews behind Selfridges. The area, a square room lined with five-by-five rows of bags and accessories displayed in gigantic, deep blue-hued vending machines, is entered through a wide circular doorway. The final pop-up in the Old Selfridges Hotel, Le Vestiaire, is a sensory piece inspired by swimming pool changing rooms.MThe now-familiar blue tiles that cover the walls, floor, and furniture of the room greet visitors. A curving welcoming desk was placed in front of a tile-covered wall that held a stack of rolled-up

Ringo Studio in Brooklyn has created a pastel "playground" as the first retail space in New York City for fitness brand Bala, which includes scaled-up versions of its products. Bala distributes weights, bands, and other workout equipment in a variety of candy colors, and was founded by Natalie Holloway and Max Kislevitz, who appeared in the reality TV show Shark Tank.
Madelynn Ringo, the CEO of Ringo Studio and a former retail designer for Glossier, cold-called the duo and asked them to keep her in mind when they established their first real retail location.
Ringo was recruited to convert the brand's concept into interior design when the opportunity to take over a 1,300-square-foot (120-square-meter) location at 99 Spring Street in SoHo arose. Soft, rounded curves are characteristic of the products, so they were duplicated throughout the store. The store's entrance is hidden under a black arch that resembles The Power Ring, one of the brand's hallmark goods. Beyond it, a pale green counter with a curving top displays a range of weights. Color-coordinated regions complement the shown products. A 12-foot-tall Bala Beam is held up against a mirrored wall with vertical light strips separating it. On the other side, a gigantic reproduction of a Bangle swoops down from the ceiling to form a plush leather bench, which is employed as an ankle weight. A pale blue arch leads to another room with pink walls, ceiling, and counter, as well as velvet fitting-room drapes and a fuzzy carpet. The store will also hold training classes incorporating the various goods outside of retail hours. Pastels